El Negro Detrás de la oreja
description
El Negro Detrás de la Oreja (The Black Behind the Ear) aims to enhance Dominican culture by marginalizing racial and classist stigmas that disrupt our society.
Through a series of popular objects cast in porcelain and photographs, I create compositions with minimalist aesthetics interpreting popular Dominican phrases to depict 'Dominicanidad' in a decolonial context.
This project highlights how the culture of the Caribbean tends to be defined through the voices of its colonizers, thus excluding the rich heritage of our African and Taino ancestors.
“The Black Behind the Ear” is an old Dominican idiom first used in the 1883 poem by Juan Antonio Alix. The poem is a criticism of racial prejudice when Dominicans prioritize their European or white heritage while simultaneously rejecting their African roots.
“The white one”, who had a grandmother, As black as coal, Never mentions her, Even if they are set on fire. And to their aunt Mrs. Beans, Since she was white, They never stop mentioning her;
To make people understand, That they never had, The Black behind the Ear.”
– Juan Antonio Alix
The Black Behind the Ear has been supported and first shown at the biennale Centro Leon Jimenez 2014. Today part of the series lives as part of El Centro Leon's permanent collection.
The project has participated in:
– Genesis and Trajectory, 2019.
A selection of works from the Eduardo León Jimenes Collection of Visual Arts.
–Afro Syncretic, 2020.
NYU Latinx Project, curated by Yelaine Rodriguez
– Arte para expresArte: un museo a cialo abierto, 2021.
"Centro León y Cartel, with the support of the Mayor's Office of the National District, exhibits works by Dominican artists on more than 300 billboards in the city of Santo Domingo.”